Never Too High by Bcee cover art

Never Too High

Bcee

30s preview

Key
3A · B♭ minor
BPM
174
Half-time
87
Open Key
8m
Energy
80/100
Pop
38/100
Length
3:30
Released
2024
Genre
Drum N Bass
Loudness
-4.9 dB
Dynamics
10.5 dB
ISRC
GBRF52400028

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Never Too High: drum n bass, B♭ minor (3A), 174 BPM. Tonally it lands bright and euphoric. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 97% of Bcee's catalogue. For programming, treat it as an opener or closing-set piece.

Brightness:
brighter than 93% of Bcee's catalogue
Low end:
more bass-heavy than 89% of Bcee's catalogue
Energy:
calmer than 85% of Bcee's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood77Bright
Groove62
Acoustic0
Instrumental26
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Never Too High in?

Never Too High by Bcee is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Never Too High?

Never Too High runs at 174 BPM.

What mixes well with Never Too High?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Never Too High good for peak time?

With energy 80 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Bcee

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.