Back to the Street by Bcee cover art

Back to the Street

Bcee

30s preview

Key
9A · E minor
BPM
174
Half-time
87
Open Key
2m
Energy
83/100
Pop
31/100
Length
3:48
Released
2013
Genre
Drum N Bass
Loudness
-3.5 dB
Dynamics
10.7 dB
ISRC
GBRF52400007

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, Back to the Street sits in E minor (9A) at 174 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2013 production that still circulates in sets. Better known than 94% of Bcee's catalogue. In a set it works best as an opener or closing-set piece.

Low end:
more bass-heavy than 82% of Bcee's catalogue
Energy:
calmer than 75% of Bcee's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood42Balanced
Groove54
Acoustic0
Instrumental1
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Back to the Street in?

Back to the Street by Bcee is in E minor, or 9A on the Camelot wheel.

What BPM is Back to the Street?

Back to the Street runs at 174 BPM.

What mixes well with Back to the Street?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Back to the Street good for peak time?

With energy 83 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 174 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Bcee

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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