Always Been You by Bcee cover art

Always Been You

Bcee

30s preview

Key
10A · B minor
BPM
174
Half-time
87
Open Key
3m
Energy
82/100
Pop
19/100
Length
4:55
Released
2022
Genre
Drum N Bass
Loudness
-3.4 dB
Dynamics
12.4 dB
ISRC
GBRF52200016

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Always Been You is a drum n bass track in B minor (10A) at 174 BPM. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Darker than 94% of Bcee's catalogue. In a set it works best as an opener or closing-set piece.

Reach:
better known than 86% of Bcee's catalogue
Energy:
calmer than 78% of Bcee's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood6Dark
Groove57
Acoustic0
Instrumental24
Live6
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Always Been You in?

Always Been You by Bcee is in B minor, or 10A on the Camelot wheel.

What BPM is Always Been You?

Always Been You runs at 174 BPM.

What mixes well with Always Been You?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Always Been You good for peak time?

With energy 82 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 174 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Bcee

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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