Eyes On Me
30s preview
- Key
- 5A · C minor
- BPM
- 87
- Double-time
- 174
- Open Key
- 10m
- Energy
- 83/100
- Pop
- 13/100
- Length
- 3:01
- Released
- 2023
- Genre
- Drum N Bass
- Loudness
- -3.8 dB
- Dynamics
- 9.3 dB
- ISRC
- GBARL2300442
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eyes On Me - Danny Byrd VIP Mixoriginal8B · 174
- Eyes On Me - Dutty Jungle Remixremix6A · 174
Eyes On Me runs 87 BPM in C minor (5A), a downtempo drum n bass record. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Slower than 98% of Danny Byrd's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more bass-heavy than 96% of Danny Byrd's catalogue
- Energy:
- calmer than 88% of Danny Byrd's catalogue
- Groove:
- groovier than 83% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Eyes On Me in?
Eyes On Me by Danny Byrd is in C minor, or 5A on the Camelot wheel.
What BPM is Eyes On Me?
Eyes On Me runs at 87 BPM, a downtempo track.
What mixes well with Eyes On Me?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Eyes On Me good for peak time?
With energy 83 out of 100 at 87 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 87 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 82-92 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 87 — beatmatch without a big tempo pull.
![11111 (Just Be the One) [Danny Byrd Mix] by Danny Byrd cover art](https://i.scdn.co/image/ab67616d00001e0210659a3a3af44e4d4f3ae4cc){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 87 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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