Long Gone
30s preview
- Key
- 4A · F minor
- BPM
- 172
- Half-time
- 86
- Open Key
- 9m
- Energy
- 83/100
- Pop
- 10/100
- Length
- 4:57
- Released
- 2014
- Genre
- Drum N Bass
- Loudness
- -2.1 dB
- Dynamics
- 18.0 dB
- ISRC
- UKU932290035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Long Gone is a drum n bass track in F minor (4A) at 172 BPM. The feel is dark and driving. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 18 dB). A 2014 production that still circulates in sets. More treble-tilted than 90% of Noisia's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- darker than 88% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Long Gone in?
Long Gone by Noisia is in F minor, or 4A on the Camelot wheel.
What BPM is Long Gone?
Long Gone runs at 172 BPM.
What mixes well with Long Gone?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Long Gone good for peak time?
With energy 83 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 172 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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