Contact - Noisia Remix
- Key
- 9B · G major
- BPM
- 172
- Half-time
- 86
- Open Key
- 2d
- Energy
- 79/100
- Pop
- 0/100
- Length
- 5:50
- Released
- 2009
- Album
- Contact
- Genre
- Drum N Bass
- Loudness
- -11.9 dB
- ISRC
- GBQXM0900069
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Contact - Annix Remixremix4A · 130
- Contactoriginal3B · 110
- Contact - Instrumentaloriginal3A · 110
Against the original (3B at 110 BPM), this version runs 62 BPM faster and moves the key from 3B to 9B.
At 172 BPM in G major (9B), Contact - Noisia Remix is a drum n bass production. The feel is punchy, neutral in mood. It leans atmospheric over strictly danceable. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Noisia's catalogue. For programming, treat it as an opener or closing-set piece.
- Brightness:
- brighter than 91% of Noisia's catalogue
- Groove:
- less groove-driven than 88% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Contact - Noisia Remix in?
Contact - Noisia Remix by Noisia is in G major, or 9B on the Camelot wheel.
What BPM is Contact - Noisia Remix?
Contact - Noisia Remix runs at 172 BPM.
What mixes well with Contact - Noisia Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Contact - Noisia Remix good for peak time?
With energy 79 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
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How to mix it
In 9B at 172 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Noisia
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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