Tommy’s Theme
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 3m
- Energy
- 76/100
- Pop
- 11/100
- Length
- 3:53
- Released
- 2011
- Genre
- Drum N Bass
- Loudness
- -2.9 dB
- Dynamics
- 16.5 dB
- ISRC
- UKACT2133029
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Tommy’s Theme sits in B minor (10A) at 172 BPM. The feel is dark and driving. The groove is loose and less beat-driven. Vocals read as instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 17 dB). A 2011 production that still circulates in sets. Darker than 91% of Noisia's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 82% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Tommy’s Theme in?
Tommy’s Theme by Noisia is in B minor, or 10A on the Camelot wheel.
What BPM is Tommy’s Theme?
Tommy’s Theme runs at 172 BPM.
What mixes well with Tommy’s Theme?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Tommy’s Theme good for peak time?
With energy 76 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![All You Ever Wanted (Sub Focus Remix) [Radio Edit] by Sub Focus cover art](https://i.scdn.co/image/ab67616d00001e02e01e4e10a43705a29f6a46c9){kind=small}
How to mix it
In 10A at 172 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Noisia
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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