![Supersonic (My Existence) [with Noisia, josh pan & Dylan Brady] by Noisia cover art](https://i.scdn.co/image/ab67616d00001e026a234b99763fe093e7989ebe)
Supersonic (My Existence) [with Noisia, josh pan & Dylan Brady]
- BPM
- 172
- Half-time
- 86
- Open Key
- 4d
- Energy
- 67/100
- Pop
- 58/100
- Length
- 2:47
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -6.5 dB
- ISRC
- USAT22101776
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Supersonic (VIP)original8A · 172
A drum n bass cut, Supersonic (My Existence) [with Noisia, josh pan & Dylan Brady] sits in A major (11B) at 172 BPM. It reads as dark and driving. It is vocal-led. Better known than 99% of Noisia's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- darker than 89% of Noisia's catalogue
- Energy:
- calmer than 82% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Supersonic (My Existence) [with Noisia, josh pan & Dylan Brady] in?
Supersonic (My Existence) [with Noisia, josh pan & Dylan Brady] by Noisia is in A major, or 11B on the Camelot wheel.
What BPM is Supersonic (My Existence) [with Noisia, josh pan & Dylan Brady]?
Supersonic (My Existence) [with Noisia, josh pan & Dylan Brady] runs at 172 BPM.
What mixes well with Supersonic (My Existence) [with Noisia, josh pan & Dylan Brady]?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Supersonic (My Existence) [with Noisia, josh pan & Dylan Brady] good for peak time?
With energy 67 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 172 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Noisia
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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