Do It Again
30s preview
- Key
- 4A · F minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 9m
- Energy
- 66/100
- Pop
- 0/100
- Length
- 6:43
- Released
- 2000
- Genre
- Drum N Bass
- Loudness
- -9.3 dB
- Dynamics
- 18.5 dB
- ISRC
- GBCJY0022001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Do It Again runs 174 BPM in F minor (4A), a drum n bass record. Tonally it lands dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 19 dB). A 2000 production that still circulates in sets. More underground than 99% of Danny Byrd's catalogue. For programming, treat it as an opener or closing-set piece.
- Low end:
- more treble-tilted than 94% of Danny Byrd's catalogue
- Energy:
- calmer than 93% of Danny Byrd's catalogue
- Brightness:
- darker than 84% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Do It Again in?
Do It Again by Danny Byrd is in F minor, or 4A on the Camelot wheel.
What BPM is Do It Again?
Do It Again runs at 174 BPM.
What mixes well with Do It Again?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Do It Again good for peak time?
With energy 66 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![11111 (Just Be the One) [Danny Byrd Mix] by Danny Byrd cover art](https://i.scdn.co/image/ab67616d00001e0210659a3a3af44e4d4f3ae4cc){kind=small}
How to mix it
In 4A at 174 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
![Supersonic (My Existence) [with Noisia, josh pan & Dylan Brady] by Noisia cover art](https://i.scdn.co/image/ab67616d00001e026a234b99763fe093e7989ebe){kind=small}
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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