Leaving
- BPM
- 87
- Double-time
- 174
- Open Key
- 8m
- Energy
- 83/100
- Pop
- 21/100
- Length
- 5:13
- Released
- 2015
- Genre
- Drum N Bass
- Loudness
- -3.2 dB
- ISRC
- GB2LD0900990
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 87 BPM in B♭ minor (3A), Leaving is a downtempo drum n bass production. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Brighter than 94% of Hybrid Minds's catalogue.
- Tempo:
- slower than 92% of Hybrid Minds's catalogue
- Groove:
- groovier than 79% of Hybrid Minds's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Leaving in?
Leaving by Hybrid Minds is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Leaving?
Leaving runs at 87 BPM, a downtempo track.
What mixes well with Leaving?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Leaving good for peak time?
With energy 83 out of 100 at 87 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 87 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 82-92 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 87 — beatmatch without a big tempo pull.
More drum n bass
More from Hybrid Minds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 87 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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