The Day the Earth Stood Still
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 8d
- Energy
- 79/100
- Pop
- 1/100
- Length
- 5:53
- Released
- 2018
- Genre
- Drum N Bass
- Loudness
- -4.6 dB
- Dynamics
- 16.1 dB
- ISRC
- NLCK41049031
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Day the Earth Stood Still runs 174 BPM in D♭ major (3B), a drum n bass record. The feel is punchy, neutral in mood. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2018 production that still circulates in sets. More treble-tilted than 99% of Mozey's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- calmer than 86% of Mozey's catalogue
- Brightness:
- brighter than 84% of Mozey's catalogue
- Tempo:
- slower than 76% of Mozey's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is The Day the Earth Stood Still in?
The Day the Earth Stood Still by Mozey is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Day the Earth Stood Still?
The Day the Earth Stood Still runs at 174 BPM.
What mixes well with The Day the Earth Stood Still?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Day the Earth Stood Still good for peak time?
With energy 79 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 174 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Mozey
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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