Reykjavik
30s preview
- Key
- 7A · D minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 12m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 3:58
- Released
- 2014
- Genre
- Drum N Bass
- Loudness
- -4.2 dB
- Dynamics
- 14.1 dB
- ISRC
- GBCJY1400146
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Reykjavik sits in D minor (7A) at 174 BPM. The feel is dark and driving. The groove is loose and less beat-driven. Vocals read as instrumental. The timbre leans bright. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. More underground than 99% of Metrik's catalogue. For programming, treat it as an opener or closing-set piece.
- Low end:
- more treble-tilted than 99% of Metrik's catalogue
- Groove:
- less groove-driven than 93% of Metrik's catalogue
- Tempo:
- slower than 89% of Metrik's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Reykjavik in?
Reykjavik by Metrik is in D minor, or 7A on the Camelot wheel.
What BPM is Reykjavik?
Reykjavik runs at 174 BPM.
What mixes well with Reykjavik?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Reykjavik good for peak time?
With energy 87 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 174 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Metrik
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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