Sabotage by Metrik cover art

Sabotage

Metrik

30s preview

Key
4B · A♭ major
BPM
174
Half-time
87
Open Key
9d
Energy
89/100
Pop
5/100
Length
4:25
Released
2011
Genre
Drum N Bass
Loudness
-5.5 dB
Dynamics
11.4 dB
ISRC
GBTMZ1100095

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Sabotage runs 174 BPM in A♭ major (4B), a drum n bass record. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. Slower than 89% of Metrik's catalogue. For programming, treat it as an opener or closing-set piece.

Groove:
less groove-driven than 78% of Metrik's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood24Dark
Groove38
Acoustic0
Instrumental87
Live47
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Sabotage in?

Sabotage by Metrik is in A♭ major, or 4B on the Camelot wheel.

What BPM is Sabotage?

Sabotage runs at 174 BPM.

What mixes well with Sabotage?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Sabotage good for peak time?

With energy 89 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 174 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Metrik

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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