Freedom - Radio Edit
30s preview
- BPM
- 167
- Half-time
- 84
- Open Key
- 4m
- Energy
- 96/100
- Pop
- 1/100
- Length
- 3:47
- Released
- 2012
- Album
- Freedom
- Genre
- Drum N Bass
- Loudness
- -3.3 dB
- Dynamics
- 11.7 dB
- ISRC
- GBBHF1230469
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Freedomoriginal11A · 167
Against the original (11A at 167 BPM), this version holds the same tempo in the same key.
Freedom - Radio Edit runs 167 BPM in F♯ minor (11A), a very fast drum n bass record. Tonally it lands dark and driving. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. Hotter than 87% of Goldie's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- more underground than 86% of Goldie's catalogue
- Groove:
- less groove-driven than 79% of Goldie's catalogue
- Low end:
- more treble-tilted than 76% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Freedom - Radio Edit in?
Freedom - Radio Edit by Goldie is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Freedom - Radio Edit?
Freedom - Radio Edit runs at 167 BPM, a very fast track.
What mixes well with Freedom - Radio Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Freedom - Radio Edit good for peak time?
With energy 96 out of 100 at 167 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 167 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 157-177 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 167 — beatmatch without a big tempo pull.
More drum n bass
![What You Won't Do for Love [radio edit] by Goldie cover art](https://i.scdn.co/image/ab67616d00001e02bc6a593d8441943bcc378f41){kind=small}
More from Goldie
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 167 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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