
People and Places
30s preview
- Key
- 4A · F minor
- BPM
- 172
- Half-time
- 86
- Open Key
- 9m
- Energy
- 93/100
- Pop
- 30/100
- Length
- 5:25
- Released
- 2025
- Genre
- Drum N Bass
- Loudness
- -1.3 dB
- Dynamics
- 10.7 dB
- ISRC
- GBAAP2500067
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, People and Places sits in F minor (4A) at 172 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Groovier than 94% of Goldie's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 93% of Goldie's catalogue
- Low end:
- more bass-heavy than 92% of Goldie's catalogue
- Tempo:
- faster than 84% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is People and Places in?
People and Places by Goldie is in F minor, or 4A on the Camelot wheel.
What BPM is People and Places?
People and Places runs at 172 BPM.
What mixes well with People and Places?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is People and Places good for peak time?
With energy 93 out of 100 at 172 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 172 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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