Acolyte by Buunshin cover art

Acolyte

Buunshin

30s preview

Key
3A · B♭ minor
BPM
172
Half-time
86
Open Key
8m
Energy
93/100
Pop
19/100
Length
3:24
Released
2019
Genre
Drum N Bass
Loudness
-2.3 dB
Dynamics
13.5 dB
ISRC
DEQ022380628

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, Acolyte sits in B♭ minor (3A) at 172 BPM. The mix is almost entirely instrumental. Spoken-word passages run through it. Its spectrum is centred in the low-mids, warm and bass-forward. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 93% of Buunshin's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
hotter than 78% of Buunshin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood11Dark
Groove57
Acoustic14
Instrumental71
Live53
Speech44

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
24%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Acolyte in?

Acolyte by Buunshin is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Acolyte?

Acolyte runs at 172 BPM.

What mixes well with Acolyte?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Acolyte good for peak time?

With energy 93 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 172 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Buunshin

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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