Twist Em VIP
- BPM
- 172
- Half-time
- 86
- Open Key
- 6m
- Energy
- 94/100
- Pop
- 30/100
- Length
- 3:28
- Released
- 2023
- Genre
- Drum N Bass
- Loudness
- 1.1 dB
- ISRC
- GB2LD2310070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Twist Em VIP is a drum n bass track in A♭ minor (1A) at 172 BPM. It is vocal-led. The master is loud and heavily compressed. Better known than 88% of Mefjus's catalogue.
- Brightness:
- brighter than 84% of Mefjus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Twist Em VIP in?
Twist Em VIP by Mefjus is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Twist Em VIP?
Twist Em VIP runs at 172 BPM.
What mixes well with Twist Em VIP?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Twist Em VIP good for peak time?
With energy 94 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 172 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Mefjus
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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