Run, Run, Run
- Key
- 6A · G minor
- BPM
- 173
- Half-time
- 87
- Open Key
- 11m
- Energy
- 64/100
- Pop
- 32/100
- Length
- 5:47
- Released
- 2017
- Genre
- Drum N Bass
- Loudness
- -5.9 dB
- ISRC
- GBBHF1310601
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Run, Run, Run sits in G minor (6A) at 173 BPM. The mix is almost entirely instrumental. A 2017 production that still circulates in sets. Darker than 98% of Goldie's catalogue.
- Reach:
- better known than 94% of Goldie's catalogue
- Tempo:
- faster than 90% of Goldie's catalogue
- Energy:
- calmer than 87% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Run, Run, Run in?
Run, Run, Run by Goldie is in G minor, or 6A on the Camelot wheel.
What BPM is Run, Run, Run?
Run, Run, Run runs at 173 BPM.
What mixes well with Run, Run, Run?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Run, Run, Run good for peak time?
With energy 64 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 173 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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