Shatter
- BPM
- 172
- Half-time
- 86
- Open Key
- 4m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 5:38
- Released
- 2010
- Genre
- Drum N Bass
- Loudness
- -7.0 dB
- ISRC
- GBYQY1000028
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Shatter sits in F♯ minor (11A) at 172 BPM. The feel is dark and driving. The mix is almost entirely instrumental. A 2010 production that still circulates in sets. More underground than 99% of The Upbeats's catalogue.
- Groove:
- groovier than 81% of The Upbeats's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Shatter in?
Shatter by The Upbeats is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Shatter?
Shatter runs at 172 BPM.
What mixes well with Shatter?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Shatter good for peak time?
With energy 93 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 172 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from The Upbeats
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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