Missing by The Upbeats cover art

30s preview

Key
5A · C minor
BPM
172
Half-time
86
Open Key
10m
Energy
100/100
Pop
0/100
Length
5:21
Released
2006
Album
Four Seasons: Spring EP
Genre
Drum N Bass
Loudness
-9.8 dB
Dynamics
19.9 dB
ISRC
GBHYE0600050

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, Missing sits in C minor (5A) at 172 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 20 dB). A 2006 production that still circulates in sets. Hotter than 99% of The Upbeats's catalogue. In a set it works best as an opener or closing-set piece.

Reach:
more underground than 99% of The Upbeats's catalogue
Low end:
more treble-tilted than 94% of The Upbeats's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood15Dark
Groove58
Acoustic0
Instrumental77
Live39
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
22%
High
2.5-11 kHz

FAQ

What key is Missing in?

Missing by The Upbeats is in C minor, or 5A on the Camelot wheel.

What BPM is Missing?

Missing runs at 172 BPM.

What mixes well with Missing?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Missing good for peak time?

With energy 100 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#TrackKey·BPM

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 172 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from The Upbeats

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.