Alone
- Key
- 6A · G minor
- BPM
- 171
- Half-time
- 86
- Open Key
- 11m
- Energy
- 53/100
- Pop
- 28/100
- Length
- 6:01
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- -6.6 dB
- ISRC
- USQY51344031
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Alone is a drum n bass track in G minor (6A) at 171 BPM. The feel is dark and steady. The groove is loose and less beat-driven. A 2013 production that still circulates in sets. Better known than 97% of The Upbeats's catalogue.
- Energy:
- calmer than 94% of The Upbeats's catalogue
- Brightness:
- darker than 90% of The Upbeats's catalogue
- Groove:
- less groove-driven than 86% of The Upbeats's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Alone in?
Alone by The Upbeats is in G minor, or 6A on the Camelot wheel.
What BPM is Alone?
Alone runs at 171 BPM.
What mixes well with Alone?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Alone good for peak time?
With energy 53 out of 100 at 171 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 171 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 161-181 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 171 — beatmatch without a big tempo pull.
More drum n bass
More from The Upbeats
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 171 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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