Tilling Fields
- BPM
- 175
- Half-time
- 88
- Open Key
- 3d
- Energy
- 73/100
- Pop
- 0/100
- Length
- 7:01
- Released
- 2007
- Genre
- Drum N Bass
- Loudness
- -6.4 dB
- ISRC
- GBYEY0900036
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Tilling Fields sits in D major (10B) at 175 BPM. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. More underground than 99% of The Upbeats's catalogue.
- Brightness:
- darker than 97% of The Upbeats's catalogue
- Tempo:
- faster than 85% of The Upbeats's catalogue
- Energy:
- calmer than 84% of The Upbeats's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tilling Fields in?
Tilling Fields by The Upbeats is in D major, or 10B on the Camelot wheel.
What BPM is Tilling Fields?
Tilling Fields runs at 175 BPM.
What mixes well with Tilling Fields?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Tilling Fields good for peak time?
With energy 73 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 175 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from The Upbeats
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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