Nobody's Out There by The Upbeats cover art

Nobody's Out There

The Upbeats

Key
10A · B minor
BPM
87
Double-time
174
Open Key
3m
Energy
71/100
Pop
0/100
Length
5:16
Released
2007
Genre
Drum N Bass
Loudness
-8.1 dB
ISRC
GBYEY0900032

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A downtempo drum n bass cut, Nobody's Out There sits in B minor (10A) at 87 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. Less groove-driven than 99% of The Upbeats's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
darker than 99% of The Upbeats's catalogue
Reach:
more underground than 99% of The Upbeats's catalogue
Tempo:
slower than 94% of The Upbeats's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood4Dark
Groove16
Acoustic5
Instrumental78
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Nobody's Out There in?

Nobody's Out There by The Upbeats is in B minor, or 10A on the Camelot wheel.

What BPM is Nobody's Out There?

Nobody's Out There runs at 87 BPM, a downtempo track.

What mixes well with Nobody's Out There?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Nobody's Out There good for peak time?

With energy 71 out of 100 at 87 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 87 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 82-92 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 87 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from The Upbeats

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 87 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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