Beyond Reality
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 3m
- Energy
- 87/100
- Pop
- 23/100
- Length
- 5:22
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- -6.3 dB
- Dynamics
- 11.3 dB
- ISRC
- USQY51344022
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Beyond Reality is a drum n bass track in B minor (10A) at 174 BPM. It reads as dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2013 production that still circulates in sets. Better known than 96% of The Upbeats's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 90% of The Upbeats's catalogue
- Low end:
- more bass-heavy than 90% of The Upbeats's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Beyond Reality in?
Beyond Reality by The Upbeats is in B minor, or 10A on the Camelot wheel.
What BPM is Beyond Reality?
Beyond Reality runs at 174 BPM.
What mixes well with Beyond Reality?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Beyond Reality good for peak time?
With energy 87 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 174 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from The Upbeats
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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