Anti Social
- BPM
- 174
- Half-time
- 87
- Open Key
- 3d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 5:37
- Released
- 2008
- Album
- Camouflage Re-Lick
- Genre
- Drum N Bass
- Loudness
- -5.9 dB
- ISRC
- NZCC00700010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Anti Social: drum n bass, D major (10B), 174 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. A 2008 production that still circulates in sets. More underground than 99% of The Upbeats's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- brighter than 86% of The Upbeats's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Anti Social in?
Anti Social by The Upbeats is in D major, or 10B on the Camelot wheel.
What BPM is Anti Social?
Anti Social runs at 174 BPM.
What mixes well with Anti Social?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Anti Social good for peak time?
With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 174 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from The Upbeats
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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