Nothing's Sacred
30s preview
- BPM
- 175
- Half-time
- 88
- Open Key
- 9d
- Energy
- 96/100
- Pop
- 0/100
- Length
- 6:19
- Released
- 2007
- Album
- Nothing's Sacred / Dresden
- Genre
- Drum N Bass
- Loudness
- -3.9 dB
- Dynamics
- 15.2 dB
- ISRC
- US25X1902399
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Nothing's Sacred: drum n bass, A♭ major (4B), 175 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2007 production that still circulates in sets. More underground than 99% of The Upbeats's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more treble-tilted than 95% of The Upbeats's catalogue
- Tempo:
- faster than 85% of The Upbeats's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Nothing's Sacred in?
Nothing's Sacred by The Upbeats is in A♭ major, or 4B on the Camelot wheel.
What BPM is Nothing's Sacred?
Nothing's Sacred runs at 175 BPM.
What mixes well with Nothing's Sacred?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Nothing's Sacred good for peak time?
With energy 96 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 175 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from The Upbeats
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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