Girl Gone
30s preview
- BPM
- 175
- Half-time
- 88
- Open Key
- 8d
- Energy
- 49/100
- Pop
- 0/100
- Length
- 6:31
- Released
- 2007
- Genre
- Drum N Bass
- Loudness
- -7.6 dB
- Dynamics
- 16.8 dB
- ISRC
- GBYEY0900035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Girl Gone runs 175 BPM in D♭ major (3B), a drum n bass record. It reads as dark and steady. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 17 dB). A 2007 production that still circulates in sets. More underground than 99% of The Upbeats's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- calmer than 95% of The Upbeats's catalogue
- Brightness:
- darker than 92% of The Upbeats's catalogue
- Low end:
- more treble-tilted than 92% of The Upbeats's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Girl Gone in?
Girl Gone by The Upbeats is in D♭ major, or 3B on the Camelot wheel.
What BPM is Girl Gone?
Girl Gone runs at 175 BPM.
What mixes well with Girl Gone?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Girl Gone good for peak time?
With energy 49 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 175 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from The Upbeats
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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