What's Up by Ed Rush cover art

What's Up

Ed Rush

Key
10A · B minor
BPM
165
Half-time
83
Open Key
3m
Energy
97/100
Pop
0/100
Length
7:13
Released
1996
Genre
Drum N Bass
Loudness
-7.3 dB
ISRC
GBNZT1400025

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

What's Up runs 165 BPM in B minor (10A), a very fast drum n bass record. The mix is almost entirely instrumental. A 1996 production that still circulates in sets. More underground than 99% of Ed Rush's catalogue.

Brightness:
brighter than 83% of Ed Rush's catalogue
Tempo:
slower than 76% of Ed Rush's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood58Balanced
Groove60
Acoustic0
Instrumental79
Live21
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is What's Up in?

What's Up by Ed Rush is in B minor, or 10A on the Camelot wheel.

What BPM is What's Up?

What's Up runs at 165 BPM, a very fast track.

What mixes well with What's Up?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is What's Up good for peak time?

With energy 97 out of 100 at 165 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 165 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 165 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Ed Rush

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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