Kaiser Salsek by Goldie cover art

Kaiser Salsek

Goldie

Key
11A · F♯ minor
BPM
161
Half-time
81
Open Key
4m
Energy
94/100
Pop
5/100
Length
5:40
Released
1998
Genre
Drum N Bass
Loudness
-5.0 dB
ISRC
GBAMY9800090

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Kaiser Salsek runs 161 BPM in F♯ minor (11A), a very fast drum n bass record. The feel is bright and euphoric. The mix is almost entirely instrumental. A 1998 production that still circulates in sets. Brighter than 93% of Goldie's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
groovier than 80% of Goldie's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood66Balanced
Groove67
Acoustic0
Instrumental91
Live34
Speech25

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Kaiser Salsek in?

Kaiser Salsek by Goldie is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Kaiser Salsek?

Kaiser Salsek runs at 161 BPM, a very fast track.

What mixes well with Kaiser Salsek?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Kaiser Salsek good for peak time?

With energy 94 out of 100 at 161 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 161 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 151-171 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 161 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Goldie

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 161 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.