Guncheck
30s preview
- BPM
- 164
- Half-time
- 82
- Open Key
- 3m
- Energy
- 79/100
- Pop
- 7/100
- Length
- 6:45
- Released
- 1995
- Genre
- Drum N Bass
- Loudness
- -8.4 dB
- Dynamics
- 15.1 dB
- ISRC
- GBNZT1400021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast drum n bass cut, Guncheck sits in B minor (10A) at 164 BPM. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 1995 production that still circulates in sets. More bass-heavy than 87% of Ed Rush's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- groovier than 86% of Ed Rush's catalogue
- Energy:
- calmer than 82% of Ed Rush's catalogue
- Tempo:
- slower than 78% of Ed Rush's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Guncheck in?
Guncheck by Ed Rush is in B minor, or 10A on the Camelot wheel.
What BPM is Guncheck?
Guncheck runs at 164 BPM, a very fast track.
What mixes well with Guncheck?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Guncheck good for peak time?
With energy 79 out of 100 at 164 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 164 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 154-174 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 164 — beatmatch without a big tempo pull.
More drum n bass
More from Ed Rush
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 164 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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