A Sense of Rage (Sensual V.I.P mix)
30s preview
- Key
- 4A · F minor
- BPM
- 165
- Half-time
- 83
- Open Key
- 9m
- Energy
- 82/100
- Pop
- 8/100
- Length
- 7:07
- Released
- 1995
- Genre
- Drum N Bass
- Loudness
- -7.5 dB
- Dynamics
- 16.1 dB
- ISRC
- GBAAP2100007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast drum n bass cut, A Sense of Rage (Sensual V.I.P mix) sits in F minor (4A) at 165 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). A 1995 production that still circulates in sets. Less groove-driven than 80% of Goldie's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is A Sense of Rage (Sensual V.I.P mix) in?
A Sense of Rage (Sensual V.I.P mix) by Goldie is in F minor, or 4A on the Camelot wheel.
What BPM is A Sense of Rage (Sensual V.I.P mix)?
A Sense of Rage (Sensual V.I.P mix) runs at 165 BPM, a very fast track.
What mixes well with A Sense of Rage (Sensual V.I.P mix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is A Sense of Rage (Sensual V.I.P mix) good for peak time?
With energy 82 out of 100 at 165 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 165 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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