Sister Stalking
30s preview
- BPM
- 162
- Half-time
- 81
- Open Key
- 3m
- Energy
- 79/100
- Pop
- 0/100
- Length
- 6:50
- Released
- 1996
- Genre
- Drum N Bass
- Loudness
- -12.5 dB
- Dynamics
- 19.0 dB
- ISRC
- GBCJY9840008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast drum n bass cut, Sister Stalking sits in B minor (10A) at 162 BPM. The feel is bright and euphoric. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 1996 production that still circulates in sets. Brighter than 99% of London Elektricity's catalogue.
- Reach:
- more underground than 99% of London Elektricity's catalogue
- Low end:
- more treble-tilted than 80% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Sister Stalking in?
Sister Stalking by London Elektricity is in B minor, or 10A on the Camelot wheel.
What BPM is Sister Stalking?
Sister Stalking runs at 162 BPM, a very fast track.
What mixes well with Sister Stalking?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Sister Stalking good for peak time?
With energy 79 out of 100 at 162 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 162 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 152-172 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 162 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 162 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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