Witchcraft by Roni Size cover art

Witchcraft

Roni Size

30s preview

Key
11A · F♯ minor
BPM
163
Half-time
82
Open Key
4m
Energy
82/100
Pop
6/100
Length
6:20
Released
1994
Genre
Drum N Bass
Loudness
-14.0 dB
Dynamics
18.2 dB
ISRC
GBAGN9400070

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Witchcraft: very fast drum n bass, F♯ minor (11A), 163 BPM. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 1994 production that still circulates in sets. Better known than 85% of Roni Size's catalogue. For programming, treat it as a high-intensity peak cut.

Energy:
calmer than 83% of Roni Size's catalogue
Brightness:
darker than 80% of Roni Size's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood29Dark
Groove53
Acoustic0
Instrumental88
Live66
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Witchcraft in?

Witchcraft by Roni Size is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Witchcraft?

Witchcraft runs at 163 BPM, a very fast track.

What mixes well with Witchcraft?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Witchcraft good for peak time?

With energy 82 out of 100 at 163 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 163 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 153-173 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 163 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Roni Size

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 163 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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