Last Man Standing
30s preview
- BPM
- 176
- Half-time
- 88
- Open Key
- 8d
- Energy
- 93/100
- Pop
- 10/100
- Length
- 3:47
- Released
- 2015
- Album
- Live at Colston Hall
- Genre
- Drum N Bass
- Loudness
- -4.4 dB
- Dynamics
- 10.9 dB
- ISRC
- UK7FT1500003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Last Man Standing sits in D♭ major (3B) at 176 BPM. It reads as dark and driving. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Less groove-driven than 99% of Roni Size's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- faster than 92% of Roni Size's catalogue
- Reach:
- better known than 92% of Roni Size's catalogue
- Brightness:
- darker than 80% of Roni Size's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Last Man Standing in?
Last Man Standing by Roni Size is in D♭ major, or 3B on the Camelot wheel.
What BPM is Last Man Standing?
Last Man Standing runs at 176 BPM.
What mixes well with Last Man Standing?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Last Man Standing good for peak time?
With energy 93 out of 100 at 176 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 176 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 165-187 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 176 — beatmatch without a big tempo pull.
More drum n bass
More from Roni Size
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 176 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.