Share The Fall - 2008 Re-edit
30s preview
- Key
- 6A · G minor
- BPM
- 170
- Half-time
- 85
- Open Key
- 11m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:09
- Released
- 2008
- Album
- Roni Size Reprazent - New Forms2
- Genre
- Drum N Bass
- Loudness
- -4.4 dB
- Dynamics
- 11.6 dB
- ISRC
- GBUM70801710
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Share the Falloriginal6A · 83
- Share The Falloriginal10A · 170
- Share The Fall - Full Vocal Mixoriginal6A · 170
- Share The Fall - 2017 Full Vocal Remixremix6A · 170
- Share The Fall - 2017 Remixremix7A · 170
Against the original (6A at 83 BPM), this version runs 87 BPM faster in the same key.
At 170 BPM in G minor (6A), Share The Fall - 2008 Re-edit is a very fast drum n bass production. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2008 production that still circulates in sets. More underground than 99% of Roni Size's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Share The Fall - 2008 Re-edit in?
Share The Fall - 2008 Re-edit by Roni Size is in G minor, or 6A on the Camelot wheel.
What BPM is Share The Fall - 2008 Re-edit?
Share The Fall - 2008 Re-edit runs at 170 BPM, a very fast track.
What mixes well with Share The Fall - 2008 Re-edit?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Share The Fall - 2008 Re-edit good for peak time?
With energy 97 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 170 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from Roni Size
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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