Area Code
- Key
- 6A · G minor
- BPM
- 175
- Half-time
- 88
- Open Key
- 11m
- Energy
- 85/100
- Pop
- 54/100
- Length
- 3:14
- Released
- 2025
- Genre
- Drum N Bass
- Loudness
- -5.3 dB
- ISRC
- GBCEN2400223
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Area Code sits in G minor (6A) at 175 BPM. The feel is dark and driving. It is vocal-led. Better known than 99% of S.P.Y's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- darker than 94% of S.P.Y's catalogue
- Energy:
- calmer than 87% of S.P.Y's catalogue
- Groove:
- less groove-driven than 82% of S.P.Y's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Area Code in?
Area Code by S.P.Y is in G minor, or 6A on the Camelot wheel.
What BPM is Area Code?
Area Code runs at 175 BPM.
What mixes well with Area Code?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Area Code good for peak time?
With energy 85 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 175 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from S.P.Y
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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