Love Hurts
- Key
- 4A · F minor
- BPM
- 175
- Half-time
- 88
- Open Key
- 9m
- Energy
- 69/100
- Pop
- 0/100
- Length
- 4:47
- Released
- 2012
- Genre
- Drum N Bass
- Loudness
- -6.8 dB
- ISRC
- GBCJY1205250
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Love Hurts is a drum n bass track in F minor (4A) at 175 BPM. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. More underground than 99% of S.P.Y's catalogue.
- Energy:
- calmer than 98% of S.P.Y's catalogue
- Brightness:
- darker than 94% of S.P.Y's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Love Hurts in?
Love Hurts by S.P.Y is in F minor, or 4A on the Camelot wheel.
What BPM is Love Hurts?
Love Hurts runs at 175 BPM.
What mixes well with Love Hurts?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Love Hurts good for peak time?
With energy 69 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 175 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from S.P.Y
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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