Cross the Line by Camo & Krooked cover art

Cross the Line

Camo & Krooked

30s preview

Key
7A · D minor
BPM
175
Half-time
88
Open Key
12m
Energy
77/100
Pop
0/100
Length
4:48
Released
2011
Genre
Drum N Bass
Loudness
-4.2 dB
Dynamics
13.9 dB
ISRC
GBCJY1100216

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Cross the Line runs 175 BPM in D minor (7A), a drum n bass record. The groove is loose and less beat-driven. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. More underground than 99% of Camo & Krooked's catalogue.

Energy:
calmer than 84% of Camo & Krooked's catalogue
Brightness:
darker than 79% of Camo & Krooked's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood10Dark
Groove41
Acoustic0
Instrumental38
Live14
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Cross the Line in?

Cross the Line by Camo & Krooked is in D minor, or 7A on the Camelot wheel.

What BPM is Cross the Line?

Cross the Line runs at 175 BPM.

What mixes well with Cross the Line?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Cross the Line good for peak time?

With energy 77 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 175 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Camo & Krooked

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.