The Love Has Gone by Nu:Tone cover art

The Love Has Gone

Nu:Tone

Key
7B · F major
BPM
174
Half-time
87
Open Key
12d
Energy
76/100
Pop
0/100
Length
4:19
Released
2011
Genre
Drum N Bass
Loudness
-8.6 dB
ISRC
GBCJY1018411

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, The Love Has Gone sits in F major (7B) at 174 BPM. Tonally it lands dark and driving. It is vocal-led. A 2011 production that still circulates in sets. More underground than 99% of Nu:Tone's catalogue. For programming, treat it as an opener or closing-set piece.

Energy:
calmer than 89% of Nu:Tone's catalogue
Brightness:
darker than 84% of Nu:Tone's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood17Dark
Groove53
Acoustic0
Instrumental1
Live14
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Love Has Gone in?

The Love Has Gone by Nu:Tone is in F major, or 7B on the Camelot wheel.

What BPM is The Love Has Gone?

The Love Has Gone runs at 174 BPM.

What mixes well with The Love Has Gone?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is The Love Has Gone good for peak time?

With energy 76 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 174 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Nu:Tone

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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