
Say That You'll
- Key
- 9A · E minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 2m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 5:59
- Released
- 2014
- Genre
- Drum N Bass
- Loudness
- -6.4 dB
- ISRC
- GBCJY1400159
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Say That You'll: drum n bass, E minor (9A), 174 BPM. A 2014 production that still circulates in sets. More underground than 99% of Nu:Tone's catalogue.
- Energy:
- calmer than 93% of Nu:Tone's catalogue
- Groove:
- less groove-driven than 79% of Nu:Tone's catalogue
- Brightness:
- darker than 75% of Nu:Tone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Say That You'll in?
Say That You'll by Nu:Tone is in E minor, or 9A on the Camelot wheel.
What BPM is Say That You'll?
Say That You'll runs at 174 BPM.
What mixes well with Say That You'll?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Say That You'll good for peak time?
With energy 75 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 174 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Nu:Tone
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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