Souled Out by Nu:Tone cover art

Souled Out

Nu:Tone

30s preview

Key
7A · D minor
BPM
172
Half-time
86
Open Key
12m
Energy
87/100
Pop
23/100
Length
4:18
Released
2021
Genre
Drum N Bass
Loudness
-4.1 dB
Dynamics
15.3 dB
ISRC
GBCJY2000629

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Souled Out is a drum n bass track in D minor (7A) at 172 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). Better known than 95% of Nu:Tone's catalogue. For programming, treat it as an opener or closing-set piece.

Brightness:
darker than 92% of Nu:Tone's catalogue
Low end:
more bass-heavy than 83% of Nu:Tone's catalogue
Energy:
calmer than 77% of Nu:Tone's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood9Dark
Groove60
Acoustic0
Instrumental86
Live22
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Souled Out in?

Souled Out by Nu:Tone is in D minor, or 7A on the Camelot wheel.

What BPM is Souled Out?

Souled Out runs at 172 BPM.

What mixes well with Souled Out?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Souled Out good for peak time?

With energy 87 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 172 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Nu:Tone

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.