Back to Basics by S.P.Y cover art

Back to Basics

S.P.Y

30s preview

Key
4A · F minor
BPM
172
Half-time
86
Open Key
9m
Energy
88/100
Pop
0/100
Length
4:55
Released
2014
Genre
Drum N Bass
Loudness
-5.3 dB
Dynamics
12.4 dB
ISRC
GBCJY1400032

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 172 BPM in F minor (4A), Back to Basics is a drum n bass production. Tonally it lands dark and driving. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More underground than 99% of S.P.Y's catalogue. In a set it works best as an opener or closing-set piece.

Low end:
more treble-tilted than 95% of S.P.Y's catalogue
Energy:
calmer than 76% of S.P.Y's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood23Dark
Groove58
Acoustic1
Instrumental41
Live45
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
21%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Back to Basics in?

Back to Basics by S.P.Y is in F minor, or 4A on the Camelot wheel.

What BPM is Back to Basics?

Back to Basics runs at 172 BPM.

What mixes well with Back to Basics?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Back to Basics good for peak time?

With energy 88 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 172 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from S.P.Y

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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