Fairplay feat. Jenna G (Zed Bias Old Skool Instrumental Remix)
- BPM
- 130
- Open Key
- 9d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 5:06
- Released
- 2011
- Album
- Fairplay / Phoneline
- Genre
- Uk Garage
- Loudness
- -6.2 dB
- ISRC
- GBEUE1002276
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fairplay feat. Jenna G (A capella)original6A · 119
- Fairplay feat. Jenna G (Album Instrumental)original3B · 122
- Fairplay feat. Jenna G (Radio Edit)version3B · 122
Against the original (6A at 119 BPM), this version runs 11 BPM faster and moves the key from 6A to 4B.
At 130 BPM in A♭ major (4B), Fairplay feat. Jenna G (Zed Bias Old Skool Instrumental Remix) is a peak-time tempo uk garage production. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue.
- Groove:
- groovier than 89% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Fairplay feat. Jenna G (Zed Bias Old Skool Instrumental Remix) in?
Fairplay feat. Jenna G (Zed Bias Old Skool Instrumental Remix) by Zed Bias is in A♭ major, or 4B on the Camelot wheel.
What BPM is Fairplay feat. Jenna G (Zed Bias Old Skool Instrumental Remix)?
Fairplay feat. Jenna G (Zed Bias Old Skool Instrumental Remix) runs at 130 BPM, a peak-time tempo track.
What mixes well with Fairplay feat. Jenna G (Zed Bias Old Skool Instrumental Remix)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Fairplay feat. Jenna G (Zed Bias Old Skool Instrumental Remix) good for peak time?
With energy 78 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 130 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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