Fairplay feat. Jenna G (A capella)
30s preview
- Key
- 6A · G minor
- BPM
- 119
- Open Key
- 11m
- Energy
- 17/100
- Pop
- 0/100
- Length
- 3:35
- Released
- 2011
- Album
- Fairplay / Phoneline
- Genre
- Uk Garage
- Loudness
- -13.1 dB
- Dynamics
- 20.0 dB
- ISRC
- GBEUE1002279
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fairplay feat. Jenna G (Album Instrumental)original3B · 122
- Fairplay feat. Jenna G (Radio Edit)version3B · 122
- Fairplay feat. Jenna G (Zed Bias Old Skool Instrumental Remix)remix4B · 130
Fairplay feat. Jenna G (A capella) is a club-tempo uk garage track in G minor (6A) at 119 BPM. It is vocal-led. Spoken-word passages run through it. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). A 2011 production that still circulates in sets. Calmer than 99% of Zed Bias's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Zed Bias's catalogue
- Low end:
- more treble-tilted than 99% of Zed Bias's catalogue
- Brightness:
- darker than 89% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 20%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Fairplay feat. Jenna G (A capella) in?
Fairplay feat. Jenna G (A capella) by Zed Bias is in G minor, or 6A on the Camelot wheel.
What BPM is Fairplay feat. Jenna G (A capella)?
Fairplay feat. Jenna G (A capella) runs at 119 BPM, a club-tempo track.
What mixes well with Fairplay feat. Jenna G (A capella)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Fairplay feat. Jenna G (A capella) good for peak time?
With energy 17 out of 100 at 119 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 119 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
More uk garage
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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