Far Away
- BPM
- 61
- Double-time
- 122
- Open Key
- 4d
- Energy
- 20/100
- Pop
- 0/100
- Length
- 4:42
- Released
- 2006
- Genre
- Uk Garage
- Loudness
- -15.5 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Far Away is an uk garage track in A major (11B) at 61 BPM. It reads as brooding and low-slung. It leans atmospheric over strictly danceable. It is vocal-led. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. Calmer than 99% of Todd Edwards's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Todd Edwards's catalogue
- Groove:
- less groove-driven than 99% of Todd Edwards's catalogue
- Reach:
- more underground than 99% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Far Away in?
Far Away by Todd Edwards is in A major, or 11B on the Camelot wheel.
What BPM is Far Away?
Far Away runs at 61 BPM.
What mixes well with Far Away?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Far Away good for peak time?
With energy 20 out of 100 at 61 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 61 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 57-65 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 61 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 61 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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