Get Up (One Step Beyond Mix)
- BPM
- 123
- Open Key
- 8m
- Energy
- 41/100
- Pop
- 0/100
- Length
- 5:33
- Released
- 1991
- Genre
- House
- Loudness
- -19.7 dB
- ISRC
- USA2P0734089
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Get Up (One Step Beyond Mix) runs 123 BPM in B♭ minor (3A), a club-tempo house record. It reads as balanced in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1991 production that still circulates in sets. More underground than 99% of Roger Sanchez's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 96% of Roger Sanchez's catalogue
- Tempo:
- slower than 88% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Get Up (One Step Beyond Mix) in?
Get Up (One Step Beyond Mix) by Roger Sanchez is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Get Up (One Step Beyond Mix)?
Get Up (One Step Beyond Mix) runs at 123 BPM, a club-tempo track.
What mixes well with Get Up (One Step Beyond Mix)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Get Up (One Step Beyond Mix) good for peak time?
With energy 41 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.