Abandoned Soul - Recondite Remix
- Key
- 9B · G major
- BPM
- 123
- Open Key
- 2d
- Energy
- 41/100
- Pop
- 16/100
- Length
- 7:04
- Released
- 2018
- Album
- Midnight Juggernaut EP
- Genre
- Deep House
- Loudness
- -14.3 dB
- ISRC
- DEPX41800262
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Abandoned Souloriginal9A · 124
Against the original (9A at 124 BPM), this version runs 1 BPM slower and moves the key from 9A to 9B.
Abandoned Soul - Recondite Remix is a club-tempo deep house track in G major (9B) at 123 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Calmer than 98% of Jimi Jules's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- darker than 97% of Jimi Jules's catalogue
- Groove:
- less groove-driven than 83% of Jimi Jules's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Abandoned Soul - Recondite Remix in?
Abandoned Soul - Recondite Remix by Jimi Jules is in G major, or 9B on the Camelot wheel.
What BPM is Abandoned Soul - Recondite Remix?
Abandoned Soul - Recondite Remix runs at 123 BPM, a club-tempo track.
What mixes well with Abandoned Soul - Recondite Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Abandoned Soul - Recondite Remix good for peak time?
With energy 41 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from Jimi Jules
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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