Clinomania (ft Joy Tyson, Nathan Curran) by Jimi Jules cover art

Clinomania (ft Joy Tyson, Nathan Curran)

Jimi Jules

30s preview

Key
10A · B minor
BPM
117
Open Key
3m
Energy
67/100
Pop
21/100
Length
4:30
Released
2021
Genre
Deep House
Loudness
-10.3 dB
Dynamics
10.2 dB
ISRC
DEEC31810291

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo deep house cut, Clinomania (ft Joy Tyson, Nathan Curran) sits in B minor (10A) at 117 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 90% of Jimi Jules's catalogue.

Reach:
better known than 87% of Jimi Jules's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood36Balanced
Groove71
Acoustic14
Instrumental78
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Clinomania (ft Joy Tyson, Nathan Curran) in?

Clinomania (ft Joy Tyson, Nathan Curran) by Jimi Jules is in B minor, or 10A on the Camelot wheel.

What BPM is Clinomania (ft Joy Tyson, Nathan Curran)?

Clinomania (ft Joy Tyson, Nathan Curran) runs at 117 BPM, a mid-tempo track.

What mixes well with Clinomania (ft Joy Tyson, Nathan Curran)?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Clinomania (ft Joy Tyson, Nathan Curran) good for peak time?

With energy 67 out of 100 at 117 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 117 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 117 — beatmatch without a big tempo pull.

More deep house

#TrackKey·BPM

More from Jimi Jules

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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