Everyone Is Love
30s preview
- BPM
- 117
- Open Key
- 8m
- Energy
- 62/100
- Pop
- 4/100
- Length
- 7:33
- Released
- 2023
- Genre
- House
- Loudness
- -8.5 dB
- Dynamics
- 13.5 dB
- ISRC
- USMKQ2300057
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Everyone Is Love - Editversion5A · 117
- Everyone Is Love - Todd Terry VIP Mixoriginal4B · 125
- Everyone Is Love - Todd Terry VIP Editversion4B · 125
A mid-tempo house cut, Everyone Is Love sits in B♭ minor (3A) at 117 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 98% of Todd Terry's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 96% of Todd Terry's catalogue
- Brightness:
- brighter than 92% of Todd Terry's catalogue
- Low end:
- more treble-tilted than 82% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Everyone Is Love in?
Everyone Is Love by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Everyone Is Love?
Everyone Is Love runs at 117 BPM, a mid-tempo track.
What mixes well with Everyone Is Love?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Everyone Is Love good for peak time?
With energy 62 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 117 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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