Through and Through (edit)
30s preview
- BPM
- 117
- Open Key
- 3m
- Energy
- 62/100
- Pop
- 14/100
- Length
- 6:18
- Released
- 2020
- Genre
- Progressive House
- Loudness
- -10.5 dB
- Dynamics
- 9.6 dB
- ISRC
- GBEWA1906643
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Through and Through (edit) runs 117 BPM in B minor (10A), a mid-tempo progressive house record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Groovier than 96% of Leaving Laurel's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 94% of Leaving Laurel's catalogue
- Tempo:
- slower than 81% of Leaving Laurel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Through and Through (edit) in?
Through and Through (edit) by Leaving Laurel is in B minor, or 10A on the Camelot wheel.
What BPM is Through and Through (edit)?
Through and Through (edit) runs at 117 BPM, a mid-tempo track.
What mixes well with Through and Through (edit)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Through and Through (edit) good for peak time?
With energy 62 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 117 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More progressive house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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